They definitely all still have great hair and pop songs aplenty, and although the girls have broken up with their boyfriends from previous movies, there are a couple of cute guys to hang around: Matt Lanter, assigned by the Army to keep the girls safe, and Guy Burnet, who works with DJ Khaled. The cast is all here, but the movie keeps making self-aware cracks about “Jessica and Ashley,” two members of the group nobody’s ever talked to or about before and who have always been in the background. Pitch Perfect 3 knows this and messes just a tad with the formula. Pitch Perfect devotees show up to theaters expecting a few key ingredients: the main cast, a cappella covers of chart-topping pop songs, great hair, a few cute guys, suspiciously retrograde racial and gender politics, and, most importantly, a riff-off. The film positions itself as the end of an era. It’s the reunion of a lifetime, though it goes a little sour when Amy’s rapscallion father ( John Lithgow) shows up, suddenly very interested in his estranged daughter’s life. Her father may never have been much of a part of her life, but he’s a big shot in the Army, and she finagles a USO invite for the Bellas to perform on a European tour. As they gather at the bar afterward, despondent about their lives and nostalgic about the past, Aubrey ( Anna Camp) launches a plan to get the band back together, so to speak. When she and the current Bellas are invited to perform in Brooklyn, she invites her former groupmates to show up. The only P i tch Perfect 2 Bella who’s still at Barden College is Emily ( Hailee Steinfeld), who has given up writing music in the face of her overstuffed schedule. Anna Kendrick, Brittany Snow, Rebel Wilson, and Anna Camp in Pitch Perfect 3. The other Bellas are similarly unhappy with how things have turned out for them in the real world, wishing for their glory days as college a cappella champs. Beca is a struggling music producer living with Amy, who’s trying to get her “Fat Amy Winehouse” one-woman show (which she performs on sidewalks) off the ground, and Chloe ( Brittany Snow), who spends her days with her hands up animals’ nether regions as a veterinarian’s assistant. Most of the Barden Bellas we know from the movies graduated at the end of Pitch Perfect 2, and they’re all out trying to brave it in the real world. Isn’t this a movie about an a cappella group? The first clue that we are definitely not supposed to take anything in Pitch Perfect 3 seriously is the film’s opening sequence, which ends with Beca ( Anna Kendrick) and Amy/Patricia ( Rebel Wilson) leaping off the back of a boat that’s bursting into flames. Pitch Perfect 3 gets the band back together in despondent fashion (The marketing campaign for the movie even relies on the slogans “Last Call Pitches” and “The Farewell Tour.”)Īnd it sure does make that case effectively. It’s pretty aca-awful, but it makes a compelling case for its own thesis, which seems to be you people have got to let us stop making these movies. The Pitch Perfect franchise has always had a pretty good sense of humor about itself, manifesting in everything from the pair of over-the-top misogynist announcers John and Gail ( John Michael Higgins and Elizabeth Banks) to occasional recognition from the characters that a cappella may, in fact, not be the life-and-death matter the movies are obliged to make them out to be.įor P itch Perfect 3, that self-awareness is dialed up to 10. Vox-mark vox-mark vox-mark vox-mark vox-mark
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